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Robert Smithson, Non-Site (Slate from Bangor, Pa.), 1968. produce shafts and earthquakes.
As it happens, Robert Smithson was in Vancouver in that benchmark year 1970. The artist had just begun creating his large-scale earthworks; in the first of these works he dumped a truckload of asphalt down a hillside of a quarry in Rome; three months later he poured the contents of a barrel of glue down a muddy slope in Vancouver’s Point Grey.
Robert Smithson designed and directed the construction of his iconic work the Spiral Jetty in April 1970. The Jetty is a site-specific work, meant to interact with changing conditions of the surrounding water, land, and atmosphere. While located in a relatively barren, unpopulated place, Smithson chose the site not only because of the vast surrounding landscape, but with reference to nearby.
Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson.Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty.
Nonsites” in Robert Hobbs’s Robert Smithson: Sculpture (1981), the first book-length treatment of Smithson’s sculpture. Alloway also afforded Smithson a central role in his two-part essay “Artists as Writers,” published in Artforum in March and April 1974.10 My essay draws extensively from these published sources.
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