Review of Andrei Tarkovsky's Solaris - Free Paper Sample.
Solaris is supposedly science fiction, but since it isn't really interested in explaining any of the science very clearly, much of it can also be interpreted as mystical, or even religious. You have dead people resurrected; a vast, unknowable consciousness that is both outside and able to read your inmost thoughts; miracles and—when explorers are destroyed by the ocean structure.
Solaris Introduction. Solaris is science fiction for folks who think science fiction is just a little too exciting. So if laser battles and monster aliens erupting out of chest cavities is all a bit much for you—but you still like yourself some outer space—then you are in a Solaris mood. Put your feet up; rest awhile.
The first Solaris appeared in 1972, the work of the great Russian filmmaker Andrei Tarkovsky. And though the film won the Special Jury Prize at Cannes, Lem never cared for Tarkovsky's take.
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As science fiction, Solaris does seem to require, on one level at least, an element of traditional narrative film making. Tarkovsky does not excel in this area, and so for me watching Solaris can feel like watching a poet trying to write a detective novel. These are very personal observations on Solaris. I know the film is held in the highest.
Solaris is a wonderful book, about a few scientists on a lab hovering over a vast, mysterious ocean on an alien planet. Overall, its analysis of exploration-as-human-nature was tremendous and leaves you with the sort of wonder produced by only the best science fiction.. Or you could watch the 1972 or 2002 movie, neither of which does a great.
On the afternoon of Sunday the 30th of January 1972 soldiers from the British Parachute Regiment, one of the fearsome UK militia units fighting the battle in the north of Ireland, attacked a civil rights march in the town of Derry, killing or fatally wounding fourteen civilians and injuring two dozen more in an event the international press quickly to be known as “Bloody Sunday Massacre”.